Pieter Bruegel’s painting Landscape with the Fall of Icarus and Belgium form together the backdrop against which various people diligently examine the question: “TO LOOK, what does it mean?” A “drolatic” film diary.
The pessimistic howl of the megalopolis, which tracks the wanderings of a tormented man in the port city of Antwerp through strongly expressionistic imagery. He can only count on the understanding of an orphan and two disillusioned women.
A journey through the South of the United States after a Black man was brutally murdered by three white men results in a penetrating meditation on memory, history, landscape, trauma and rebellion.
These are the wonder years! A just and righteous world is within reach. The class-conscious worker not only stands up for his rights against his employer, there are also tensions with the official trade union big shots.
The third part covers the period from 1998 to 2010 and includes interviews with Meriam Kerkour, Charlotte Grégoire, Yaël André and ten other figures from within the film world. Recordings of the talks are alternated with excerpts from films.
Poetically and expertly, Meyer films not only the misery and poverty, but also the moments of joy of the miners’ families in the Belgian region of the Borinage.
A penetrating documentary about the struggles, hopes and miseries of Mexican migrants trying to illegally cross the border to America who are constantly hounded by immigration authorities as they try to escape their country's difficulties.
Eastern Belgium, beset by linguistic confrontations and an agriculture in decline. The film’s emotional context is just as dramatic: the death of a young farmer’s father. Will he decide to take on the farm or build a new life in the city?
What is the value of images as objective testimonies of a conflict? Vanagt turns her attention to the International Criminal Tribunal for the former Yugoslavia in The Hague.
In Belgium’s Pajottenland, a group of children gather for a game of unequal chances: snail racing. This video is part of the ongoing Children’s Games series.
A vagrant mourning the loss of his wife unleashes a chain of strange events in a Flemish village community. In his first feature film, Dekeukeleire combines rural mysticism and avant-garde camera techniques to forge an uncanny love story.
A leaking green paint pot in hand, Francis Alÿs traced the disputed border between Israel and Palestine, referred to as The Green Line.
Francis Alÿs pushes a large block of ice through the streets of Mexico City and leaves a trail of meltwater.
A dramatic action in miniature. A man enters his flat, after which an unexpected interaction takes place.
Six Brussels children make an animated film together that reveals their view of the world. Filmmaker Patrick Van Antwerp gives a fascinating insight into their creative process and the workings of the animation studio.
Every year, thousands of Moroccan men cross the Strait of Gibraltar to reach Spain illegally. This documentary goes beyond mere testimony and analyses with clarity and poetry the reasons that drove them to leave their homeland.
The second part, recorded between 1995 and 1998, consists of 17 interviews with filmmakers such as Jean Rouch, Jonas Mekas Robert Kramer, and others. Recordings of the talks are alternated with excerpts from films.
A young woman mops the floor of her kitchen, polishes her shoes, dances, cooks, tapes the door shut and gives an explosive twist to her usual household routine.
Pieter Bruegel’s painting Landscape with the Fall of Icarus and Belgium form together the backdrop against which various people diligently examine the question: “TO LOOK, what does it mean?” A “drolatic” film diary.
A man is in love with a sow. She gives birth to piglets. He hangs them. Out of despair the mother commits suicide. There follows an analysis of decomposition, the devouring of shit and the man’s death, his body flying through the sky.
Children from Brussels create an animated film on the theme of "play" with sets made from black-and-white photos of their homes. From Monopoly to video games, each story explores creativity and imagination.
In this ensemble film, men, women and children, overcome by their desires, indulge in the excess of their feelings during a hot, stormy summer evening in the city.
A gentle construction worker from Brussels is about to leave for his homeland Romania. He meets a young, Belgian-Chinese woman who is doing doctoral research on mosses. A fragile plea for more rapprochement, to the world and each other.
A documentary about Gigi and Monica, two street children living in a train station in Bucharest. Monica is expecting a baby. Gigi wants to leave the obscurity of the street and tells us his dreams.
In different living rooms in Brussels, parents cut their children’s hair. We witness intimate moments between toddlers who resist or completely surrender to the tender ritual and parents who want to succeed in their delicate task.
Using letters from famous visitors to Paris - Charles Baudelaire, Walter Benjamin, Rainer Maria Rilke - the magical image of the city of lights is linked to that of a banal consumerism. A visual essay about the experience of observing and being observed in a Paris with many faces.
The third part covers the period from 1998 to 2010 and includes interviews with Meriam Kerkour, Charlotte Grégoire, Yaël André and ten other figures from within the film world. Recordings of the talks are alternated with excerpts from films.
A patient look at the final weeks of rehearsal of Mitten wir im Leben sind, a performance by Anne Teresa De Keersmaeker, her dance company Rosas and cellist Jean-Guihen Queyras, to Bach’s cello suites.
The chaotic settlement of a Polish Jewish family in Brussels in 1947. A brooding yet restrained biographical journey, the only feature film of the all-too-brief career of the talented Samy Szlingerbaum.
A leaking green paint pot in hand, Francis Alÿs traced the disputed border between Israel and Palestine, referred to as The Green Line.
A poetic portrait of Giorgi Shakhsuvarian, an Armenian boxing coach from Tbilisi. While working and living in Belgium, he prepares a young boxer for his European championship. The film melds a sense of distance, the floating experience of time and space, and the choreography of boxing.
Filmed during an actual political demonstration at the foot of the Yser Tower, a young man commits an act of rebellion, after which this experimental short film develops into a cinematographic reflection on the concept of repression.
An ode to the street which once was, as an open place where people lived and played. But an equally vivid case against the street which has degenerated into a mere locus for traffic.
For this epic project, Francis Alÿs invited five hundred Peruvian volunteers to walk up a mountain on the outskirts of Lima, Peru, shoveling in unison, thus displacing the dune by a few inches.
At a vocational school in Brussels, a couple of boys follow a training to become an electrician. The film documents and stages the lessons at school and their conversations about the future, love and work.
A fascinating documentary about the Radio Free-movement in Europe, which gives voice, for instance, to the anti-nuclear campaigns, student protests in Italy, and problems of racism encountered by immigrants.
Virtually bankrupt, then really bankrupt, occupation, bankrupt again, second occupation, liquidation, the last ships… When giving an account of this process of dying, questions on “labour and future” emerge.
The first part from 1995 includes 15 interviews with protagonists of the Belgian and French cinema scene including Henri Storck, Dominique Païni, Jean-Pierre Gorin and Jean-Marie Buchet. Recordings of the talks are alternated with excerpts from films.
Set to the music of Bach's St. John Passion, the spectator is plunged into one of the darkest pages of Belgian Congo's decolonial history: the assassination of Patrice Lumumba. This documentary film essay explores the fine line between historiography and legitimization.
A stop-motion film created by a group of children who tell about their love of football on the streets of a working-class Brussels neighborhood. A playful ode to fantasy and the importance of open space in the city.
Thirty years ago, Jeancy came to Brussels from Kinshasa. His financial concerns are permeated by the political struggle in the Congolese diaspora. A continuous negotiation of urgencies.
Under the tutelage of commander Walter Van Dyck, young recruits of the Belgian Armed Forces receive their basic military training.
Anna, a Belgian filmmaker, travels through northwestern Europe to promote her latest film. Her temporary stops and fleeting encounters paint a portrait of a young woman.
A portrait of the Norbertijnenabdij in Heverlee, made for television. The camera slides along walls and balustrades, treads carefully on stairs and portrays the daily life of the monks.
Four women defy the law of silence and speak out in both frank and accurate fashion about their years as members of the Red Brigades, the largest communist terrorist organisation in post-war Italy. A personal discourse, averse to any myth, slogan or apology.
An essay film targeting the global rise of “fear-as-a-commodity,” in a tale of odd couples and hilarious double deals. Alfred Hitchcock is cast as a paranoid history professor, unwittingly caught up in a double take on the cold war period.
A playful, personal film in the form of a letter and an answer to the question posed by the filmmaker’s daughter: “Daddy, why don’t you make films for children?”
A unique anthology from the oeuvre of Polish novelist Witold Gombrowicz. An actor pretends to be a writer while putting words to paper. In a series of tableaux, his texts are performed and a fascinating interplay of words and images ensues.
An epistolary film, addressed to filmmaker and anthropologist Jean Rouch, founder of the cinéma vérité genre. In his honour, Eric Pauwels directed this film touching the very essence of cinema and life.
In a system where economic growth dominates, the work of Walloon farmers is under pressure. They unite, but despair grows. A sensitive portrait that painfully reveals how the agricultural crisis has been decades in the making.
Francis Alÿs pushes a large block of ice through the streets of Mexico City and leaves a trail of meltwater.
A documentary tracing the history of airplane hijacking as portrayed by mainstream television media, from the first transatlantic hijackings in the 1960s to the state-sponsored suitcase bombs of the 1990s.
Documentary on the transmission of Anne Teresa De Keersmaeker’s contemporary Rosas choreography to the classically-trained ballet dancers of the world-renowned Ballet de l'Opéra de Paris.
The Marolles is a playground for kids until one day workmen shake up the neighbourhood. The children declare war on them. A film about Brussels in the 1950s, in collaboration with the inhabitants.
How are human beings considered throughout the world when they are consigned to the realm of death? Over a two-year period, the three directors filmed funeral rites in South Korea, Thailand, Mexico, Belgium and the USA.
A Roma family lives in the vacant Gesù convent in Brussels. As Desiere is working on a fiction film with them, a real eviction of the residents becomes more and more likely.
In this first video of the famous Children’s Games series, a boy attempts to kick a plastic bottle up a steep road, navigating challenges from gravity, a zigzagging path, and a dog.
An old coco merchant is making his way through the bustling market squares of the Marolles neighborhood with a large beverage dispenser on his back, serving licorice lemonade to locals. A precious document of city life in mid-century Brussels.
Lyrically blending both documentary and narrative elements, Khleifi skilfully and lovingly crafts a portrait of two Palestinian women whose individual struggles both define and transcend the politics that have torn apart their homes and their lives.
Hedda returns home from an overly long honeymoon with her colourless husband. An old lover who is about to break through with an exceptional novel introduces himself.
Jeanne Dielman, a young widow living with her son Sylvain, follows an immutable day cycle. Soon, however, an unexpected incident disrupts her safe routine.
An essay film targeting the global rise of “fear-as-a-commodity,” in a tale of odd couples and hilarious double deals. Alfred Hitchcock is cast as a paranoid history professor, unwittingly caught up in a double take on the cold war period.
Filmmaker Sanaz Azari learns to read and write in Persian, her native tongue. Gradually, the language lessons on Iranian culture turn into a poetic collage that questions the concept of freedom and the meaning of revolution.
The second part, recorded between 1995 and 1998, consists of 17 interviews with filmmakers such as Jean Rouch, Jonas Mekas Robert Kramer, and others. Recordings of the talks are alternated with excerpts from films.
Intimate and personal portrait of the Belgian film archive, CINEMATEK. The film talks of cinema and time in the form of a visual symphony in which a hundred films partake in a unique journey.
The travel diary of the filmmaker, who travels to Tokyo for love. A documentary where beautiful and at times intimate images interpose over a voice-over reciting an unrelated poetic text.
Young Cyril wants to find his father who placed him in a children's home. During his search, he meets Samantha, who takes him into her home on weekends.
Filmmaker Laure Portier follows her little brother Arnaud for almost ten years in a quest for freedom and identity. After a turbulent childhood, Arnaud must face a predestined fate. A moving, intimate portrait of a struggling soul, exploring family ties and the emancipating power of cinema.
In contemporary Belgium, the faith of 13-year-old Ahmed swings between the absolute ideals of his imam and the temptations of life.
Every year, thousands of Moroccan men cross the Strait of Gibraltar to reach Spain illegally. This documentary goes beyond mere testimony and analyses with clarity and poetry the reasons that drove them to leave their homeland.
Inspired by their teacher during their first history lesson, eight- and nine-year-old children decide to make an animated film about prehistory. In four colorful scenes, they bring the past to life.
An experimental documentary made up of the voices haunting it: voices of poets and madmen, of a mother and a child. We look at places hard to situate with certainty, places where omens of violence are palpable and scars remain visible.
For over a decade, Francis Alÿs chased tornadoes on the outskirts of Mexico City and captured these confrontations on film.
A Sunday in Brussels. The guard is changing, children are playing and people are visiting Cinema Aventure. A short film about boredom that manages to sublimate the everyday, without commentary and usage of exceptional images.
A free take on La Chinoise, a Jean-Luc Godard movie shot in 1967 in Paris. Reallocating its roles and characters fifty years later in Dakar, and updating its plot, this new version offers a meditation on the relationship between politics, justice and memory.
A homoerotic exploration of beauty to the rhythm of Richard Wagner, Zarah Leander and Sergei Eisenstein. Eric de Kuyper edited film and music clips, with Ulysses’ peregrinations to guide him.
In a shopping arcade, the paths of customers and shop girls cross on a daily basis. They all dream of love, or sing and dance to the rhythm of a choir of shampoo girls. A musical drama made up of intricate amorous entanglements.
A carefully made film, offering an intimate insight into the lives of Rosie, Sami, Irakli, and Nathan, four children with different educational needs who are going to regular schools.
An experimental documentary made up of the voices haunting it: voices of poets and madmen, of a mother and a child. We look at places hard to situate with certainty, places where omens of violence are palpable and scars remain visible.
A poetic essay film on the colonial gaze and the magic lantern. This early type of image projector was used in Belgian colonial propaganda, showcasing the good works of the Church, State and industry.
The travel diary of the filmmaker, who travels to Tokyo for love. A documentary where beautiful and at times intimate images interpose over a voice-over reciting an unrelated poetic text.
In Benin, an old Peugot is passed on from one owner to the next. Until the very day the car, beyond repair, ends up as an abandoned carcass in the street and finally serves as the protecting fetish of the Ouassa villagers.
Every year, thousands of Moroccan men cross the Strait of Gibraltar to reach Spain illegally. This documentary goes beyond mere testimony and analyses with clarity and poetry the reasons that drove them to leave their homeland.
Leroy’s first feature film resonates as a poetic rumination, a melancholy declaration of love which takes the form of a dialogue with a Berlin lost to memory.
Intimate and personal portrait of the Belgian film archive, CINEMATEK. The film talks of cinema and time in the form of a visual symphony in which a hundred films partake in a unique journey.
Leroy’s black-and-white images travel along the banks of the Danube, recounting the history of a disintegrated and devastated Eastern Europe. A film that oscillates between a poetic dream and a historical travelogue.
Pieter Bruegel’s painting Landscape with the Fall of Icarus and Belgium form together the backdrop against which various people diligently examine the question: “TO LOOK, what does it mean?” A “drolatic” film diary.
The lives of boys in a maritime boarding school are interwoven with the sea. This documentary reveals how changeable the sea is, immeasurable yet vulnerable.
A cinematographic voyage from the end of summer to the depths of winter, from East Germany to Moscow. Minimalist actions carry the general plot of the film, one of people travelling and fleeing within a country which no longer seems to exist.
After 44 years filmmaker Boris Lehman returns to Lausanne, where he was born in 1944. His parents, both Polish Jews, sought refuge in the city during the German occupation. Lehman remembers next to nothing of the episode. A film like a time machine.
A rhythmic film poem which experiments with different editing techniques. The contrast between the professional boxers and the amateurishly assembled set forms the backdrop of a surprising experiment with form.
An ode to the street which once was, as an open place where people lived and played. But an equally vivid case against the street which has degenerated into a mere locus for traffic.
1995: company lock-out, the death knell of the shipyard is rung. This emotionally charged diagnosis sharply contrasts with the story of the company’s growth and prosperity.
Not far from Los Angeles lies the unfinished desert city of California City. A 25-year-old Lashay T. Warren attempts to build a new life there. A visual rummage through the dusty streets that Lashay playfully describes.
The entrancing love story of Billie and Lucas, a young Brussels couple. The film paints a candid portrait of the formative but also uncertain facets of every (first) love.
Discover the Brussels garden city of Floréal through the lens of a filmmaker who spent his childhood there. A short film that captures the relationship between architecture and residents as pre-modernist architecture comes to life, supported by rhythmic music
A film adaptation of two choreographies by Anne Teresa De Keersmaeker to music by Béla Bartók: Mikrokosmos and Quatuor no. 4.
Sandra is a young woman who has only one weekend to convince her colleagues they must give up their bonuses in order for her to keep her job.
Caught in a dance, bees recount stories about the world around them. From the smallest cell in a honeycomb to the largest economy in the world, this essayistic nature documentary maps the bonds between man and bee.
Francis Alÿs strolls along Fitzroy Square in London, drumming out rhythms by dragging a wooden stick on the iron railings.
Intimate and personal portrait of the Belgian film archive, CINEMATEK. The film talks of cinema and time in the form of a visual symphony in which a hundred films partake in a unique journey.
In an imagined future, Palestinian families in a refugee camp in Lebanon prepare for their return to Palestine—a long-held dream that remains distant from the realities of their daily lives in exile.
An artist’s portrait of the Belgian surrealist painter René Magritte. Using a didactic narrative form, De Heusch initiates a dialogue with the artist’s imagination.
During the 5th Havana Biennial, artist Francis Alÿs put on his magnetic shoes and took daily walks through the streets of the city, collecting scraps of metal lying in his path.
The final film from Chantal Akerman is a portrait of her relationship with her mother, Natalia, a Holocaust survivor and familiar presence in many of her daughter’s films.
In this surrealist silent short film, the masked Mr Fantômas goes through a series of unsavoury adventures in search of his beloved Elvira. Along the way he commits crimes and violates mores.
An impressionistic composition filmed in Ostend. The viewer’s gaze is guided by sensual impressions in which the light, compositions, textures and rhythms of the water, the sand and the waves become filmic elements themselves.
A documentary tracing the history of airplane hijacking as portrayed by mainstream television media, from the first transatlantic hijackings in the 1960s to the state-sponsored suitcase bombs of the 1990s.
In this seemingly classical detective story, the subjective camera eye itself gradually claims the leading role. A playful ode to Dziga Vertov.
The deconstruction of the camera eye is pushed to the utmost in this experimental short film featuring four 'characters': the motorbike, the woman, the mountains and a series of abstract cubes.
Theatremaker Jan Decorte's first feature film covers the lonely life of a Brussels municipal employee who lives with his mother. To break through his deadly spell of boredom, his attention turns to a girl at the gymnastics club.
Francis Alÿs pushes a large block of ice through the streets of Mexico City and leaves a trail of meltwater.
Twenty years after the eponymous choreography that put dance company Rosas on the map, the performance was adapted to film. The dance film explores the relationship between movement, music and image, creating a unique and immersive cinematic experience.
What is the value of images as objective testimonies of a conflict? Vanagt turns her attention to the International Criminal Tribunal for the former Yugoslavia in The Hague.
An experimental documentary made up of the voices haunting it: voices of poets and madmen, of a mother and a child. We look at places hard to situate with certainty, places where omens of violence are palpable and scars remain visible.
A dramatic action in miniature. A man enters his flat, after which an unexpected interaction takes place.
Loredana Bianconi accompanies her friend on a job search. At 45 the quest is anything but a thankless task. Devenir is about more than the odyssey to a job; the documentary reflects on solidarity, old age, beauty, autonomy, happiness and utopias.
What is the value of images as objective testimonies of a conflict? Vanagt turns her attention to the International Criminal Tribunal for the former Yugoslavia in The Hague.
A feature debut that recounts the last three moments of a young girl's adolescence, painfully approaching adulthood, and who will have to give up something of herself to conform.
An essay film targeting the global rise of “fear-as-a-commodity,” in a tale of odd couples and hilarious double deals. Alfred Hitchcock is cast as a paranoid history professor, unwittingly caught up in a double take on the cold war period.
Lawyer Govert Miereveld teaches at a girls' school in a provincial town. He harbours a secret platonic love for his pupil Fran, which plunges him into a downward spiral of mental disorientation. A masterpiece of Belgian magic realism.
A video essay about the rehearsal process of the dance performance Mozart / Concert Arias, un moto di gioia, a choreography by Anne Teresa De Keersmaeker and Rosas, which premiered at the Festival d’Avignon in July 1992.
A documentary tracing the history of airplane hijacking as portrayed by mainstream television media, from the first transatlantic hijackings in the 1960s to the state-sponsored suitcase bombs of the 1990s.
By means of visual material gathered from online sources, the cineastes create a unique poetic realm in which thoughts, fears, desires and worries, shared via the webcam, merge together.
The travel diary of the filmmaker, who travels to Tokyo for love. A documentary where beautiful and at times intimate images interpose over a voice-over reciting an unrelated poetic text.
A film adaptation of the eponymous stage performance by choreographer Anne Teresa De Keersmaeker to music by Ligeti and Ysaÿe. The Rosas dancers create a delicate balance between energetic virtuosity and deceleration.
A leaking green paint pot in hand, Francis Alÿs traced the disputed border between Israel and Palestine, referred to as The Green Line.
A videotaped journey of a plastic bottle as it is blown by the wind around Mexico City’s main square, the Zócalo.
The national highway N1 connects Antwerp and Brussels, but at the same time separates the worlds on either side of the highway. The impact of the first national highway in Belgium is portrayed in grandiose scenery.
The first part from 1995 includes 15 interviews with protagonists of the Belgian and French cinema scene including Henri Storck, Dominique Païni, Jean-Pierre Gorin and Jean-Marie Buchet. Recordings of the talks are alternated with excerpts from films.
The third part covers the period from 1998 to 2010 and includes interviews with Meriam Kerkour, Charlotte Grégoire, Yaël André and ten other figures from within the film world. Recordings of the talks are alternated with excerpts from films.
Panning shots describe the space of a room as a succession of still lifes, after which the filmmaker herself appears in the picture, sitting in bed.
Youssef, a twelve-year-old Palestinian boy falls in love with Aïda, a young girl and leader of a children’s gang. Khleifi’s enchanting fairy-tale is set in the Gaza Strip in the early 1990s, during the turbulent days of the Israeli occupation.
An epistolary film, addressed to filmmaker and anthropologist Jean Rouch, founder of the cinéma vérité genre. In his honour, Eric Pauwels directed this film touching the very essence of cinema and life.
A cinematographic adaptation of the 1983 performance of the same name by dance company Rosas, which weaves together architecture, music and movement in a compelling and meticulous way.
On their way to the United Kingdom, a group of Indian refugees get stuck in the hermetic non-zones bordering the recreational community of Zeebruges, a Belgian seashore town. In their company we slowly lose all sense of time and place.
The second part, recorded between 1995 and 1998, consists of 17 interviews with filmmakers such as Jean Rouch, Jonas Mekas Robert Kramer, and others. Recordings of the talks are alternated with excerpts from films.
In this surrealist short film, a young man receives the book The Imitation of Jesus Christ from a priest, which induces a strong desire to be crucified. He embarks on a search for a suitable cross in the city.
Suzanne has had enough of her boyfriend Albert. The drama unfolds in fifteen tableaux, in which she goes over to Albert’s friend Emile. Still, these romantic worries go hand in hand with insatiable boredom.
The first part from 1995 includes 15 interviews with protagonists of the Belgian and French cinema scene including Henri Storck, Dominique Païni, Jean-Pierre Gorin and Jean-Marie Buchet. Recordings of the talks are alternated with excerpts from films.
A dramatic action in miniature. A man enters his flat, after which an unexpected interaction takes place.
Only once a year, the original inhabitants of Ma'loul are allowed to return to their Israeli-occupied village. Khleifi documents how the history of this place lives on in the present: in the memories of the old generations and in the imagination of their children.
In a quiet Brussels street, two filmmakers film their neighbours, capturing personal stories and everyday secrets right on their doorsteps. An interesting portrait of their diverse city
Tomi, Rasto and Mižu are digging a tunnel in view of breaking into a bank vault. What on paper presents itself as a typical heistmovie, turns out to be a different kind of spectacle.
A group of children from Brussels bring a thrilling adventure to life in a short animated film. Spiderman and his gang try to outsmart the police, but they are caught by surprise in an old chewing gum factory.
Jimi tries to return a parcel to a woman from his neighbourhood in Brussels. Finding her becomes an obsession.
The patriarch of a Palestinian village solicits the Israeli governor to lift the curfew for his son’s wedding. The request is granted, on the condition that the man and his soldiers are invited as guests of honour.
